Tazkira-i Majīd: A Biography of Akbar’s Qazi, Nūrullah Shūstari d.1611

The Tazkira-i Majīd is the biography of Qazi Nurullah Shustari, the Iranian jurist, judge and divine who joined the service of Akbar and was executed during the reign of Jahangir. It is written by Saiyid Sibtul Hasan, Fāzil-i Hanswi.

Its first edition came out in 1962, while the fifth was completed just two days prior to the author’s death in 1978. A sixth edition was printed from Pakistan sometime in late 1980’s.

سیدسبطالحسنفاضلھنسویتذکِرہمجید

It is a first complete biography of Qazi Nurullah Shustari based on primary Persian sources. Fazil-i Hanswi, amongst other contemporary sources uses the letters written by the Qazi, his son and other contemporary theologians. He also used the account of Taqi Auhadi, as well as Farīd Bhakkari’s Zakhīrat ul Khawānīn, to describe how the Qazi met with his end.

Later a well known historian, Saiyid Athar Abbas Rizvi, who wrote a history of Shias in India in two volumes used the entire information in his book without referring to my father’s work or acknowledging him. He wrote in English and used the craft of a professional historian, instead the straight style of a theologian! Tazkira-i Majīd stood forgotten, at best neglected, being in Urdu, and a work of a traditional scholar!

Very recently in 2016 the Indian Sub-Continental Literary Revival Centre [MAAB], London had it translated and published in English. It was translated by Sheikh Abbas Raza.

Saiyid Sibtul Hasan Fāzl-i Hanswi Tazkira-i Majīd English

Recently I was informed that some one in Pakistan, who otherwise is well known, has printed the Urdu original in his own name. I can but pity him!


It was when my father was collecting material for this book that he was informed about the existence of a portrait of the Qazi which was on display at the Delhi Fort Museum. My father had it photographed, and wanted to include it in the 4th edition of Tazkira-i Majīd.

But unfortunately as the portrait showed the Qazi as a typical noble of the period wearing a coat with floral design over a Mughal jāma and a headgear which was typical of nobility, the ulama (Shi’a theologians) of Lucknow objected to its inclusion! In their view the Qazi should have been shown wearing the typical dress of the Shi’a mullahs: a black qaba and donning a black ammāna (turban)!

Thus they ordered another portrait, based on the original, but wearing the desired attire. But my father refused to include a fake portrait in a book which was an authoritative and authentic account of the life of Qazi Nurullah!

Was this the actual portrait or an ascribed one?

It definitely belongs to Jahangir’s reign. It shows the Qazi drawing on the pipe of a huqqa (hubble bubble). From Waqāi Asad Beg (of Asad Beg Qazwini) we come to know that tobacco and the hubble bubble was brought to Akbar’s court around 1602. And when Akbar saw it and wanted to try it out, the physicians present in the court objected that its efficacy was yet to be tested!

The fact that an artist draws this huqqa in this miniature shows that it was drawn only when its use became acceptable in the court. We know that the Qazi was executed in 1611, that is within six years of Jahangir’s accession. Probably it was posthumously drawn, or was just an attribution.

Types of Wall Paintings at Fathpur Sikri

The wall paintings technically can either be in the form of frescoe-buono, stucco, or frescoe-secca. The frescoe-buono (generally referred to simply as frescoe) is a technique of applying colour pigments on a wet lime-plaster surface. In this technique, the dry colour pigments are absorbed by the plaster as it gradually dries.

In the case of stucco-painting, the colour is applied on relief ornamentation on slow setting hydraulic lime plaster. The frescoe-secca (generally referred to simply as a mural; though the term mural simply implies any surface ornamentation on the wall) implies a painting done on a

(generally thin layer of) plaster which has set in. This type is also referred to as tempera.

In either case, the outline of the paintings was drawn with red ochre (geru) or black colour, for which generally carbon was used. The pigments, for painting the surfaces were generally prepared from the minerals like red ochre, lapis lazuli, sulphides of mercury, lead and other arsenic and copper ores. Some colours were also prepared

from plant extracts like indigo, lac and dhak.

Evidence gathered through the surviving architectural remains suggests that the Mughal architects resorted to this art while decorating their structures from the reign of

Babur itself. The now demolished Mir Baqi’s Mosque at Ayodhya (c.1528-29 AD) was adorned with stucco-painted soffits, lunettes and extrados. For Humayun’s period, we

have the Kachhpura Mosque at Agra and Humayun’s Library (‘Sher Mandal’) at Delhi.

Just like the Ayodhya Mosque, The Kachhpura Mosque of Humayun, constructed a year later (1530 AD) has traces of stucco-paint on soffit, lunette and extrados of the central

dome and mihrab. The walls of the main chamber of the Humayun’s Library are replete with floral and vegetal patterns and designs. Under Akbar, the art of wall painting was employed to such an extent that it came to be counted as one of the essential architectural features of Akbari Architecture.

The most prominent examples of murals are now to be found in the Khwābgāh, the khizāna-i anūptalao (popularly known as the ‘Painted Chamber’), and the so-called Sonahra Makān (Gilded House) or Maryam’s House.

The Jami’ Masjid, the so-called Jodhbai Palace (the Major Haramsara, ‘shabistan-i iqbal’) and the hammams, especially the Imperial Baths (in the daulatkhāna quadrangle), the so-called Hakim’s Bath (infact the main Imperial Baths), and the small bath on the slope adjoining the southern wall of the daulatkhana-i am provide us with the examples of the wall paintings in the stucco form.

As against the general belief, walls of Fathpur Sikri are covered not only by murals painted during the reign of Akbar but also those which were executed during the reigns of Jahangir and Shahjahan.

The murals at Fathpur Sikri are generally in a form resembling tempera (fresco secca), the extant examples of which are in the Khwabgah (the khilvat-kada), the

Khizana-i Anuptalao (popularly known as the ‘Painted Chamber’), and the so-called Sonahra Makan or Maryam’s House. At Khwābgāh and the ‘Sonahra Makan’ the colour

pigments have been applied on a very thin layer of intonaco (plaster background).

However in the Khizāna-i Anūptalao and the verandah encompassing the Khwabgah, the colour-pigment appears to have been directly applied on the red sand-stone surface.

Another type of wall paintings are also found at Fathpur Sikri. But this is found in the structures which were either built or renovated during the period of Shahjahan. Sgraffito or Carvo-intaglio was a style of painting which was used in abundance in the buildings of Shahjahan. The best example of this type are the mosque and the mehmānkhāna flanking the Taj Mahal.

In this style, two layers of paint are applied, one on top of the other, say white and brick red. Then when both the layers have dried, a design is sketched. Then slowly as per the design the upper layer is scratched, exposing the inner one.

At Fathpur Sikri this sgraffito is represented in the Daulatkhāna of Shahjahan and his hammam. An underground chamber of the palace has beautiful sgraffito dados as well as vault decorations.

• Syed Ali Nadeem Rezavi

Founding a College or a University? AG Noorani’s Analysis

This is an excerpt from AG Noorani, “History of Aligarh Muslim University”, Frontline, 13 May 2016


In 1863, the rationalist Sir Syed Ahmad Khan set up a Scientific Society to inculcate a scientific temper among Muslims, and in 1864 a madrasa, later called a high school in Ghazipur. In 1886-87 followed the Aligarh Institute Gazette to disseminate ideas of secular Western education amongst the Muslims of India. Demoralised after the Mutiny of 1857, in which they were in the forefront, Muslims responded to British repression by stirring up revivalism or withdrawing into their shell. Western education was denounced. Sir Syed was strongly of the opinion that only secular education on Western lines without neglecting religion could lift Muslims from the morass into which they had sunk.

Right from the outset he had set his sights on a Muslim university. Stay of a year and a half in England strengthened his commitment. He closely studied Cambridge University when he went there. Altaf Husain Hali wrote in his biography of his friend:

“Sir Syed was determined to establish a university” (Hali, Altaf Husain, Hayat-i-Javed, translated by K.H. Qadiri and D.J. Mathews, Delhi: Idarah-i-Adabiyat-i Delli, p. 147).

He mentions the deep impression which Oxford and Cambridge universities had made on Sir Syed’s mind. Gopal Subramanium, counsel for the Union of India, presented to the Allahabad High Court a set of volumes on AMU. Expanded to include the court’s judgment, the five volumes are now part of the Supreme Court’s record. The writer is greatly indebted to Gopal Subramanium for providing him with a set of all those volumes. Volume 1 has an exhaustive chronology. The entire set, now part of a record, merits publication in book form (cited here as Vol. I).

On May 5, 1872, at a meeting of the Select Committee for the Advancement of Muslim Education, Sir Syed explained his concept of a Muslim educational institution. Donations were to be invited. A Mohammedan Anglo-Oriental College Fund Committee was set up.

A member uttered a caveat. He was the founder’s son who became one of the most distinguished High Court judges of India has seen, Justice Syed Mohammed Mahmood. A document he presented as early as on February 10, 1873, bears recalling now.

“Before offering any remarks upon the scheme to be adopted at the proposed institution, I may be allowed to bring to the notice of the Committee, a word which appears to me to have been used by mistake. This Committee calls itself ‘The Mohammedan Anglo-Oriental College Fund Committee’. I think what we mean to found is not a College, but a University, and I hope the members will consent to my proposal that instead of the word College the word University must be substituted.…

“The best educational institutions in Europe are either entirely or next to entirely free from any control of the government of the country, and this, in countries where the rulers belong to the nation whose education is to be conducted. With how much greater force does this argument hold good in the case of India where the government is almost wholly composed of persons belonging to a nation, totally different from us in language, in religion, and in mode of thought.…

“The mode of life amongst the Musalmans of India requires far greater reform than even their mode of education. And unless we bring a large number of students and able teachers together in one place, and form a society of their own, whose notions and objects should be different from the present society of Indian Musalmans, no educational project can be carried out to any considerable extent” (Husain, Yusuf (ed.) (1967): Selected Documents from the Aligarh Archives, Department of History AMU and Asia Publishing House, pp. 222-237).

No detail was missing in those 15 printed pages. He lived under the same roof as his father. It is inconceivable that he did not share his views with Sir Syed. The latter, however, faced shortage of funds.

On January 8, 1877, the Viceroy Lord Lytton, laid the foundation stone of the Mohammedan Anglo-Oriental College (MAO College).

In the address which Sir Syed delivered on this occasion, he made two important points which are very relevant today—the aim was to establish a university and it was to be established by Muslims.

“From the seed which we sow today, there may spring up a mighty tree whose branches, like those of the banyan of the soil, shall in their turn strike firm roots into the earth and themselves send forth new and vigorous saplings; that this College may expand into a University whose sons shall go forth throughout the length and breadth of the land to preach the gospel of free enquiry and of large-hearted toleration and of pure morality” (Mulk, Nawab Mohsinul (ed.), Aligarh(1898):Addresses and Speeches Relating to the MAO College, p. 32, quoted in Khalik Ahmad Nizam, History of the Aligarh Muslim University, Delhi: Idarah-i-Adabiyat-i Delli, p. 17).

He pointedly added:

“There have before been schools and colleges founded and endowed by private individuals. There have been others built by Sovereigns and supported by the revenues of the State. But this is the first time in the history of the Muhammadans of India that a college owes its establishment not to the charity or love of learning of an individual, nor to the splendid patronage of a Monarch, but to the combined wishes and the united efforts of a whole community.”

Nor did he omit to thank the benefactors.

“To our Hindu friends also our thanks are largely due. Foremost among them is the name remembered by us with no less sorrow than gratitude, of His Highness Sri Maharao Raja Mahamdar Singh Mahamder Bahadur, G.C.S.I., the late Maharaja of Patiala whose munificent contributions to the College amount to no less than Rs.58,000. Their Highness the Maharaja of Vizianagaram, K.C.S.I., and the Maharaja of Benaras head the list which includes the names of many liberal-minded Hindu gentlemen whose philanthropy forbids them to recognise distinctions of race and creed” (Vol. I, pages 12378-80).

He next thanked the Nizam of Hyderabad, Sir Salar Jung, the Nawab of Rampur and other notables. The founder of AMU thus made plain in 1877 that his aim was to establish a university, for which the MAO College was but a stepping stone, and that it was to be established by the Muslims of India. These two decisive features marked the entire proceedings from 1877 until 1920.

When Lord Ripon, the Viceroy, visited Aligarh in 1884, Sir Syed said:

“Some day when our endowments are sufficient, we would request the Government to confer upon us the legal status of an independent University.”

He was thus fully aware of the legal requirement of statutory incorporation for a university. Sir Syed could not have imagined that 82 years later India’s highest court would hold that such statutory incorporation wiped out the undisputed historical fact that

(a) the Muslims did all they could to establish their university,

(b) they continuously asked the government authority to accord the requisite statutory recognition, and

(c) the university that was so established was based on terms agreed between the Muslims and the government.

The founder established another institution in 1886 which played its own role, the Muslim Education Conference (MEC). Time was fast running out. A sad Sir Syed lamented in 1897, on the visit of Lord Elgin, the Viceroy, that he could not hope to live to see a university for the Muslims of India similar to Oxford and Cambridge becoming a reality. He died on March 27, 1898.

Historic resolution

Four days later, at a meeting of the College Board of Management, on March 31, 1898, Aftab Ahmad Khan moved the following historic resolution which was seconded by Nawab Mohsinul Mulk:

“That steps to found a memorial, in honour of the Syed Ahmad Khan… and worthy of him be at once taken; and that the memorial take the following form; the collection of a sum of ten lakhs of rupees to be called the Syed Ahmad Endowment Fund, with the object of carrying out his cherished desire of raising the MAO College to the rank of a Mohamedan University.”

The movement received a shot in the arm when the 12th MEC met in Lahore on April 1, 1898. Proposals for a Muslim university were fully discussed; about 900 people attended. The conference showed a keen spirit of enterprise. Badruddin Tyabji subscribed Rs.2,000 to the university. From Calcutta, Syed Amir Ali pledged his support.

As a young man, the Aga Khan had visited Aligarh in 1896 and promised Syed Ahmad an annual grant. In 1902, he had spoken in favour of a Muslim university in his presidential address at the Muhammadan Educational Conference.

His second visit to Aligarh was in 1904, when he gave a handsome donation to Arabic studies scheme (Minault, Gail and David Lelyveld (1974):

“The Campaign for a Muslim University, 1898-1920”, Modern Asian Studies, Vol. 8, No.2, pp. 149, 153 and 162).

The idea of establishing a Muslim university was warmly greeted by all the Muslim personalities of the day.

In December 1902, at the 16th session of the MEC held in Delhi, the Aga Khan supported the proposal in his presidential address in which he visualised this university as a Muslim Oxford. He appealed to Muslims to raise funds for the project (Muslim University Press (1972): Presidential Addresses of the Muhammadan Education Conference entitled Khutabat-I-Aliyah, pp. 206-218).

In July 1906, Badruddin Tyabji said in an address to the Aligarh College Association in England:

“If, as I hope, Aligarh develops into a university it will become the centre of attraction of education for all Mohammedans, not only from the various Mohammedan schools and colleges of India, but also, it may be, from all other parts of the Mohammedan world” (Report of the Minorities Commission on AMU 1978, paragraph 13).

The movement picked up speed. On January 10, 1911, the Syed Memorial Fund Committee was replaced by a Muslim University Foundation Committee headed by the Aga Khan and based in Aligarh. It acquired the assets of the former. Yet another body was added in 1915, the Muslim University Association.

On February 16, 1911, a Constitution Committee was set up with the Raja of Mahmudabad as president. These two men pushed the project forward. A deputation waited on the Education Minister, Government of India, Harcourt Butler on May 16, 1911, to present a draft constitution followed by another on September 23, 1911. Butler demanded that the university have an endowment of Rs.3 lakh.

Two obstacles

There were two obstacles in the path. The role of the extremists led by the disruptive Ali brothers was one. The other was retired English officials of AMU in London. Viceroy Lord Hardinge forwarded to the Secretary of State for India Lord Crewe on June 10, 1911, his advice to accept a university in Aligarh provided that it was adequately funded and under effective government control.

He was given the green signal to negotiate the terms with Muslim leaders. But the Constitution Committee was in a truculent mood. In issue was the university’s right to accept affiliation of colleges all over India, its autonomy, and its name to which the British objected. London had decided that

“the university should be called ‘The University of Aligarh’, not the ‘The Muslim University, Aligarh’” (Secretary of State to Viceroy, February 23, 1912, see Minault and Lelyveld,p. 169).

Butler tried to get London to reconsider this dispatch but failed.

However, while London was firm on affiliation, it was firm on official control, unlike Calcutta which wanted both the Benaras Hindu University and the AMU to be under its control. On August 11-12, 1912, the Constitution Committee met at Lucknow and passed three resolutions: to reject London’s decisions on affiliation; the Viceroy’s role as Chancellor; and the university’s name. It had 54 members in addition to all the MAO trustees ex-officio and “had a good claim to be representative of Muslim interests” (ibid., p.171).

On October 10, 1915, the Benares Hindu University Bill was passed and strengthened the hands of the moderates. The Aga Khan gave a handsome donation to BHU.

But politics in India emboldened the radicals. On October 15 an acrimonious meeting of the Muslim University Association decided by a controversial vote to accept the government’s terms. The Foundation Committee, its superior, ratified the decision in April 1916. There was no progress until Butler, now Lt Governor of the North West Province, came to Aligarh in November 1919. His successor as the Education Minister was Sir Mohammed Shafi, an old Aligarhian. Events softened both sides. A revised draft constitution was prepared in 1920. The government proposed some changes, which were accepted.

In July 1920, the Bill received London’s approval and was published in the Gazette. It reflected a compromise agreed by both. Its Statement of Objects and Reasons correctly recorded that compromise.

“The Muslim University Association having requested the foundation of a University and certain funds and property being available to this end, it is proposed to dissolve that Association and the Muhammadan Anglo-Oriental College, Aligarh, and to transfer the property of those societies to a new body called ‘the Aligarh Muslim University’. The present Bill is designed to incorporate this University.”

The Bill was moved in the Imperial Legislative Council by the Education Member Sir Mohammed Shafi on August 20, 1920. It met at the Council Chamber, Viceregal Lodge, Shimla, with the Governor General in the chair. The proceedings are very significant. Introducing the Bill, the mover particularly recalled Sir Syed’s remarks on January 8, 1877, on a university. The first graduate of the MAO College was a Hindu student. He recalled the “negotiations with the Government” by the Muslim University Association’s president, the Raja of Mahmudabad; how a scheme it had agreed with the Government of India was sent to London in November 1911 after “considerable discussion and somewhat long negotiations”.

Surendra Nath Banerjee said:

“Speaking as a representative of the Hindu community, we desire to welcome the Bill which has been introduced and also to congratulate the Honourable Member in charge of it on the admirable speech which he has made in introducing it. That, I think, represents the attitude to the Hindu community. This university is to be a unitary and residential university, and it is to represent an advance upon the type of universities, which has been established in Dacca and in Benaras. All that is welcome, not only from the Muslim, but also from the general and the larger standpoint.”

Seth Nathmal also supported the Bill. Such was the spirit in the Council that the educationist Sir Deba Prasad Sarbhadikari’s detailed critique won him a seat on the Select Committee. Its report was presented on September 2, 1920, and was considered on September 9.

Replying to the debate, Sir Mohammed Shafi said:

“In a somewhat long experience of Legislative Councils, both provincial and Imperial, I have seldom seen a Bill of the first importance such as the Muslim University Bill pass through the various stages with such little opposition and so smoothly as the measure which we are now about to place on our Statute Book.”

As President, the Governor General said:

“Before putting the question [to vote] I should like to add my congratulation to the Muslim community on the passage of this Bill.”

It was devout Hindus who welcomed AMU. It is malevolent Hindutvaites who wish to destroy it now.

Incontestable facts

This unbroken, consistent record stretching over nearly half a century (1873-1920) yields six incontestable facts:

1. The goal always was a university;

2. The initiative was always taken by Muslims as a community towards this goal;

3. It raised the funds;

4. Its representatives negotiated the terms with the Government of India; the negotiations were tough and protracted;

5. The Act of 1920 embodied an accord between Muslims and the government. Muslims yielded on the issues of state control and local affiliation; the government yielded on the name;

6. Muslims yielded the properties of the MAO College and the Muslim University Association under the agreement embodied in the Act; namely that they would administer AMU which they had established with their funds, the state merely providing the imprimatur of statutory incorporation.

It was in the nature of a trust. In our times, the equitable doctrine of promissory estoppel applies. It would be dishonest of the state to swallow the funds by denying the minority character of AMU. At one stage when there was a breakdown in the negotiations, Muslims were prepared to put the funds to other uses rather than give them to the government on terms that they could not accept.

First Change Thyself then the World

Bayazid, a Sufi mystic, has written in his autobiography, “When I was young I thought and I said to God, and in all my prayers this was the base: ‘Give me energy so that I can change the whole world.’ Everybody looked wrong to me. I was a revolutionary and I wanted to change the face of the earth.

“When I became a little more mature I started praying: ‘This seems to be too much. Life is going out of my hands–almost half of my life is gone and I have not changed a single person, and the whole world is too much.’ So I said to God, ‘My family will be enough. Let me change my family.’

“And when I became old,” says Bayazid, “I realized that even the family is too much, and who am I to change them? Then I realized that if I can change myself that will be enough, more than enough. I prayed to God, ‘Now I have come to the right point. At least allow me to do this: I would like to change myself.’

“God replied, ‘Now there is no time left. This you should have asked in the beginning. Then there was a possibility.’”

• Syed Ali Nadeem Rezavi

Aurangzeb: Myths vs. Facts

There are facts and historical facts. Facts are actualities which occurred; Historical facts are those actualities which had an effect, good or bad.

And then there are myths and half truths, some of which through sheer repetition over a long period of time attain the status of facts, even historical facts. At times they become so deeply ingrained in our psyche that we simply assume them to be true.

The stories circulating these days about Aurangzeb are some such mythologies paraded as historical facts. Here are some of them:

A) Aurangzeb was a temple breaker – a ‘butshikan’.

A half truth: Yes he demolished temples, but only of those regions or groups who opposed or fought him.

When Rani Hadi, the widow of Raja Jaswant Singh Rathor of Marwar wrote to him to given her the successorship (tīka) and that she was ready to break all the temples of the region, Aurangzeb refused.

And this information is from a contemporary source, Waqā’i Ajmer, maintained at the Marwar court!

Further, the temple grants, and grants given to priests under Aurangzeb were larger than the grants given ever before! And this is confirmed by a large number of contemporary documents. For example land grants given by Aurangzeb to the temples and priests at Vrindavan belonging to Sri Chaitanya sect are higher than those given by even Akbar!

Incidentally, Peter Mundy, a contemporary of Shivaji tells us that under Shivaji, the jails were full of ‘Brahmins’, who had been imprisoned for not paying their taxes!

B) Aurangzeb was anti-Hindu.

Totally wrong. He opposed anyone who could oppose him!

The Rajputs had been his major supporters from the time he started his revolt in 1657. His princely communication (nishān) to Rana Raj Singh of Mewar is indicative of his views. In his war against Dara he was supported by majority of Rajputs: Mirza Raja Jai Singh, Jaswant Singh etc etc.

A letter written by his own son, Akbar, reminds him that he had emerged victorious due to the support of the Rajputs! Dara lost as they did not support him!

After becoming the king some of the highest mansabs (ranks) in the empire -7000/7000, which could be given to a noble – were awarded to a number of Rajputs.

Crucially important states, like Gujarat, Bengal, Deccan etc which had been previously been reserved for princes, were given to Rajputs.

(C) Who worsted Shivaji at Purandhar and got him packed to Agra? Aurangzeb?

No. It was Mirza Raja Jai Singh. Shivaji was kept a prisoner in Agra in the house of Raja Ram Singh…

Yes Aurangzeb also imposed jizya, stressed Shari’at, preferred mullas and followed policies of discrimination. Many practices like jharokha were banned. None can deny that. But above facts are to be remembered too! He was not living in the modern age. There were no binaries.

D) Aurangzeb banned music.

Half Truth.

The same Manucci who informs us of the ban, also inform us about the lavish musical ensembles!

Most important musical texts were composed / translated under him. His own son was not only an accomplished musician but a dancer as well!

There is a letter which survives, written by Aurangzeb to one of his sons. In this he asks his son to follow the cultured practices of his grandfather: dance, music and poetry.

Aurangzeb himself was a good veena player!