Syed Ali Nadeem Rezavi

Today let us discuss the history of pyrotechny which is, in many ways, a history of the movement of knowledge across civilisations. Few technologies illustrate this process as clearly as gunpowder and the various devices that came to be associated with it. What began as experiments with combustible substances in China gradually travelled across Central Asia and the Islamic world before reaching India, where it acquired military, ceremonial and eventually popular applications. Fireworks, rockets, incendiary devices and firearms were all products of this long process of experimentation and adaptation. Their history cannot be attributed to any one people or civilisation, although the contribution of each can be identified at different stages of their development.
The role of Muslims in the introduction and spread of pyrotechny in India was particularly significant. Yet this contribution can only be properly understood if we recognise that the original discovery of gunpowder took place in China. Muslim military specialists, merchants, scholars and artisans were among those who helped transmit and develop the technology as it travelled westwards and southwards. In India, the courts of the Delhi Sultans and, subsequently, the Mughals provided important settings for its adoption and refinement. Over time, however, pyrotechny moved beyond the confines of royal establishments and became part of the cultural practices of different communities.
The researches of P. K. Gode, Iqtidar Alam Khan and Irfan Habib are particularly useful in reconstructing this history. While Khan has examined the introduction and development of gunpowder weapons in medieval India, Gode’s pioneering studies drew attention to references to fireworks in Sanskrit and Marathi literature, demonstrating how widely the technology had spread beyond military establishments. Their work helps us understand not merely when pyrotechny reached India, but also how it became part of Indian society.
The story begins in China, where the earliest known formulations of gunpowder emerged from experiments undertaken by alchemists associated with Daoist traditions. Their immediate concerns were quite different from those of later military engineers. They were interested in medicinal preparations and in substances believed to prolong life or possess extraordinary powers. In the course of these experiments, they discovered that certain combinations of saltpetre, sulphur and other combustible materials could produce intense flames and violent reactions.
By the ninth century, Chinese writings were already warning against the dangers of such preparations. The Zhenyuan miaodao yaolüe, generally associated with this period, refers to mixtures that could cause serious fires and injuries. These observations suggest that Chinese alchemists had begun to recognise the properties of substances that would eventually form the basis of gunpowder. It was an extraordinary development, even if those responsible for the early experiments could scarcely have anticipated its future consequences.
During the Song dynasty, this knowledge began to acquire military applications. The Wujing zongyao, a military compendium completed in 1044, contains formulations for incendiary and explosive preparations. It provides some of the earliest surviving evidence of the deliberate use of gunpowder in warfare. Chinese military specialists experimented with fire arrows, incendiary bombs and devices capable of producing flames, smoke and explosions. These were not yet firearms in the modern sense, but they represented important stages in the development of gunpowder technology.
Over the following centuries, Chinese engineers devised increasingly sophisticated weapons. The fire lance, initially a tube through which flames and combustible substances were projected, gradually developed into a weapon capable of discharging solid projectiles. Improvements in gunpowder compositions and in the manufacture of suitable barrels eventually led to the appearance of early guns. By the thirteenth century, China had developed a range of gunpowder weapons that would profoundly influence military technology elsewhere.
It is important to emphasise this Chinese origin because the history of gunpowder is sometimes confused with the history of firearms in particular regions. The fact that cannon or muskets appeared relatively late in India does not mean that gunpowder itself was unknown before their arrival. Nor should the use of incendiary substances in ancient warfare be treated as evidence of gunpowder. These distinctions are essential if we are to reconstruct the chronology of pyrotechny with any degree of accuracy.
The movement of this technology beyond China was facilitated by the extensive networks of communication that connected East Asia with Central and western Asia. The routes along which silk, porcelain, horses and other commodities travelled also carried technical knowledge, medicinal substances and skilled craftsmen. The Mongol conquests of the thirteenth century accelerated these exchanges. Their armies drew upon engineers and military specialists from different regions, including China, and the movement of such personnel helped spread knowledge of gunpowder-based devices across Asia.
The Islamic world was already familiar with several forms of incendiary warfare. Muslim armies had long employed preparations generally described as naft, a term commonly associated with petroleum and other inflammable substances. Specialists known as naffāṭūn were trained in their manufacture and use, particularly during sieges and attacks upon fortified positions. Such preparations could be extremely destructive, but they should not be confused with gunpowder. The distinction is important because early Arabic and Persian references to fire weapons do not necessarily indicate knowledge of saltpetre-based explosive compositions.
By the thirteenth century, however, Muslim military specialists had begun to record more sophisticated pyrotechnic preparations. An important figure in this development was Ḥasan al-Rammāḥ, whose treatise on military technology discusses incendiary mixtures, rockets and other devices. His writings reveal that saltpetre-based compositions had become part of the technical knowledge available in the Islamic world. They also indicate that this knowledge was being adapted to existing military practices rather than merely reproduced in the form in which it had arrived.
The contribution of Muslim military specialists therefore lay partly in the adaptation and practical application of techniques acquired through wider Asian contacts. The Islamic world possessed established traditions of military engineering, chemical experimentation and specialised craftsmanship. New knowledge could be incorporated into these traditions and transmitted further through the movement of soldiers, artisans and merchants.
India was closely connected with these developments. The establishment of the Delhi Sultanate strengthened its links with Central Asia and the Persianate world. Soldiers, administrators, scholars, merchants and craftsmen moved between these regions and the subcontinent. The Mongol invasions, despite the destruction they caused, also encouraged the migration of refugees and specialists into India. Such movements created opportunities for the introduction of new technologies, including pyrotechnic devices.
Iqtidar Alam Khan’s researches have been particularly important in establishing the chronology of these developments. In his Gunpowder and Firearms: Warfare in Medieval India, he argued that gunpowder probably reached northern India during the later thirteenth century, largely through contacts with the Mongols. He also demonstrated that the early appearance of pyrotechnic devices must be distinguished from the later introduction of cannon and muskets. This distinction is fundamental, for it places the history of gunpowder in India well before the establishment of Mughal power.
One of the earliest references suggesting familiarity with pyrotechnic devices occurs in the writings of Amir Khusrau. In a poem composed in praise of Jalaluddin Firuz Khalji, who ruled between 1290 and 1296, Khusrau refers to a hawā’ī, generally interpreted as a rocket or a device propelled through the air. Khan regarded this passage as significant evidence for the presence of pyrotechnic knowledge in northern India towards the end of the thirteenth century. Since the reference occurs in a poetic composition, however, its precise technical meaning remains uncertain. It is best treated as an indication of familiarity with such devices rather than as a detailed description of a particular weapon.
More substantial evidence becomes available during the reign of Firuz Shah Tughluq (1351–1388). Shams-i Siraj Afif, in his Tārīkh-i Fīrūz Shāhī, describes the use of fireworks during the celebrations of Shab-i Barāt. His account refers to devices that produced spectacular effects, including the scattering of flowers and fragrant substances. The description suggests that pyrotechnic entertainment had become part of the ceremonial life of the Delhi court.
This is an important development. It indicates that the knowledge of combustible preparations was not confined to warfare. The Sultanate court provided patronage to craftsmen capable of manufacturing and displaying fireworks, and such entertainments became associated with royal magnificence and public celebration. The Persian term ātishbāzī, literally suggesting the playing of fire, eventually became a familiar expression for fireworks in India.
The movement from military technology to ceremonial entertainment was probably not as abrupt as it might appear. The preparation of rockets and incendiary devices required knowledge that could also be employed in the manufacture of fireworks. Craftsmen could adapt their techniques to produce different effects, whether flames, sparks, smoke or explosive sounds. Pyrotechny was therefore a field in which military and recreational applications could develop alongside one another.
The researches of P. K. Gode provide a particularly valuable insight into the subsequent history of fireworks in India. In his study The History of Fireworks in India between A.D. 1400 and 1900, first published in 1953, and in related essays on gunpowder and firearms, Gode assembled evidence from Sanskrit and Marathi literature, travellers’ accounts and historical chronicles. His contribution was to show that fireworks gradually became familiar in different regions of India and were incorporated into royal ceremonies, weddings and religious celebrations. His findings complement those of Iqtidar Alam Khan, whose principal concern was the development of military technology.
Gode was also interested in the Chinese antecedents of pyrotechny. He examined the possibility that Chinese techniques had reached India through different routes and were subsequently modified by Indian craftsmen. He suggested that some Chinese pyrotechnic formulations may have reached India around the beginning of the fifteenth century. This should not be understood as establishing the first arrival of gunpowder in the subcontinent, since the evidence from the Delhi Sultanate points towards an earlier acquaintance with pyrotechnic devices. Rather, it raises the possibility that different forms of technical knowledge continued to arrive and circulate over several centuries.
One of the important accounts discussed by Gode is that of Abd al-Razzaq Samarqandi, the Persian ambassador who visited Vijayanagara in 1443 during the reign of Devaraya II. Describing the magnificent Mahanavami celebrations, Abd al-Razzaq referred to elaborate fireworks and other pyrotechnic entertainments. His observations indicate that by the middle of the fifteenth century, fireworks had become part of the ceremonial culture of one of the most powerful Hindu kingdoms of southern India.
The significance of this account extends beyond the spectacle itself. It demonstrates how a technology that had travelled through international networks could be adopted by societies with different political and religious traditions. Fireworks were not regarded as belonging exclusively to the communities through which they had been transmitted. They were valued for the splendour they added to royal celebrations and for the technical skill displayed by the craftsmen who produced them.
Gode also examined the Kautukacintāmaṇi, associated with the court of Gajapati Prataparudradeva of Odisha in the late fifteenth and early sixteenth centuries. This Sanskrit work contains descriptions of pyrotechnic preparations and provides evidence that the manufacture of fireworks had become a subject of technical knowledge recorded in an Indian literary tradition. Its importance lies in showing that pyrotechny was no longer confined to the Persianate world of military and courtly specialists. It had entered Sanskrit technical literature and was being adapted to local requirements.
Another source discussed by Gode was the Ākāśabhairavakalpa, a Sanskrit text preserved in manuscript form at Thanjavur. It contains references to firearms and to arrangements for pyrotechnic displays organised before kings. Gode drew attention to descriptions of structures apparently intended for launching rockets or bāṇas, which produced spectacular effects. Such references suggest that fireworks had become an elaborate form of courtly entertainment, requiring specialised knowledge and careful preparation. The precise dating of this material, however, requires caution, since the age of a manuscript or its individual passages cannot always be established with certainty.
Evidence from Gujarat further illustrates the spread of fireworks beyond royal establishments. The Portuguese traveller Duarte Barbosa, writing in the early sixteenth century, described the use of fireworks during a Brahmin wedding. His account refers to rockets and explosive devices employed as part of the festivities. This suggests that pyrotechnic entertainments were becoming available to prosperous sections of urban society and were no longer restricted to the courts of rulers.
Gode’s examination of Marathi literature adds another dimension to this history. In Eknath’s Rukmini Svayamvara, composed during the sixteenth century, fireworks appear in the description of the marriage of Krishna and Rukmini. Such references are particularly revealing because they introduce practices familiar to contemporary audiences into narratives of a mythological past. Their presence suggests that fireworks had become sufficiently well known in western India to be employed as recognisable elements of festive celebration.
References in the writings associated with Ramdas during the seventeenth century similarly suggest that pyrotechnic entertainments were becoming familiar in regional cultural traditions. These literary sources do not necessarily provide detailed information about the manufacture of fireworks, but they are valuable evidence of their place in the social imagination of the period.
The development of gunpowder technology in India was, meanwhile, proceeding along military lines. The Deccan kingdoms maintained extensive commercial and political connections with Iran, the Persian Gulf and other parts of western Asia. These contacts facilitated the movement of military specialists and technical knowledge. By the fifteenth and sixteenth centuries, gunpowder weapons were becoming increasingly important in the military establishments of the Bahmani kingdom and its successor states.
The establishment of Mughal power in northern India marked another significant stage. Babur’s victory over Ibrahim Lodi at Panipat in 1526 demonstrated the effectiveness of combining field artillery and matchlockmen with carefully organised defensive positions. His artillery specialists, Ustad Ali Quli and Mustafa Rumi, brought expertise associated with the Ottoman military tradition.
It would, however, be misleading to suggest that Babur introduced gunpowder or firearms into India. Both were already known in different parts of the subcontinent. Duarte Barbosa and Garcia da Orta mention this in their respective accounts, as does Mirāt e Sikandari. His achievement lay in their systematic organisation and effective employment within a coordinated military strategy. Panipat demonstrated the potential of gunpowder weapons when combined with appropriate tactics, rather than marking their first appearance in India.
Under Akbar, the manufacture of firearms and artillery became an important concern of the imperial establishment. Abu’l Fazl’s Ā’īn-i Akbarī provides descriptions of the imperial workshops and the attention devoted to the production of weapons. The Mughal court employed skilled metalworkers, carpenters and other specialists whose expertise contributed to improvements in military equipment.
The production of gunpowder also had important economic implications. India possessed considerable resources of saltpetre, particularly in the Gangetic plains, and its extraction and refinement became important occupations. The manufacture of firearms and fireworks created demand for raw materials, specialised labour and technical knowledge. These activities formed part of the wider world of crafts and professions in Mughal India, connecting military requirements with artisanal production and commercial networks.
At the same time, fireworks continued to occupy an important place in courtly celebrations. Mughal weddings, royal festivities and other ceremonial occasions were frequently accompanied by illuminations and spectacular displays. The marriage celebrations of Prince Dara Shikoh in 1633, for example, were associated with elaborate festivities, while Mughal and later Indian paintings provide visual evidence of fireworks as an element of courtly entertainment.
The Deccan courts were equally enthusiastic patrons of such displays. Accounts of celebrations under Ibrahim Adil Shah II of Bijapur refer to lavish expenditure upon fireworks. These spectacles were not merely diversions. They formed part of the visual expression of kingship, intended to impress spectators and demonstrate the wealth and magnificence of the ruler.
The growing popularity of fireworks also encouraged specialised craftsmanship. Their manufacture required practical familiarity with combustible materials, their preparation and the techniques necessary to produce different effects. Such knowledge was often transmitted through apprenticeship and experience, sometimes within families and occupational communities. Fireworks thus became part of the expanding artisanal economy of Indian towns.
The association of fireworks with Diwali is particularly interesting in this context. The festival itself, with its emphasis upon lamps and illumination, is much older than the discovery of gunpowder. Firecrackers and other pyrotechnic devices were later additions. It would therefore be historically inaccurate to assume that fireworks had always formed part of Diwali celebrations.
Gode’s research helps trace this gradual development. He drew attention to descriptions in later Marathi historical literature, including the Peshwayanchi Bakhar, which refers to elaborate Diwali celebrations at Kota involving large numbers of lamps and displays of fireworks. By the eighteenth century, pyrotechnic entertainment had become an established feature of Diwali celebrations in at least some royal and urban settings.
This development illustrates how an existing religious festival could absorb new forms of entertainment without losing its older significance. Fireworks did not create Diwali, nor did they determine its religious meaning. They added a new dimension of spectacle to celebrations already associated with light, prosperity and rejoicing. A technology whose earliest known origins lay in Chinese alchemy had, through centuries of transmission and adaptation, become part of Indian festive culture.
The later history of military rockets provides another striking example of indigenous innovation. During the eighteenth century, Haidar Ali and Tipu Sultan of Mysore employed iron-cased rockets with considerable effectiveness against British forces. Their construction represented an important technological improvement, since the iron casing enabled greater pressure to develop during combustion. The British subsequently studied captured Mysorean rockets, and these contributed to the development of the Congreve rocket in the early nineteenth century.
This episode reminds us that technological knowledge did not always travel in one direction. India was not merely a recipient of techniques developed elsewhere. Indian military specialists could modify existing technologies and produce innovations that subsequently influenced developments in Europe.
The combined researches of P. K. Gode, Iqtidar Alam Khan and Irfan Habib help us appreciate the complexity of this history. Khan’s work establishes the importance of the Mongol and Islamic worlds in the transmission of gunpowder and clarifies the chronology of its military applications. Gode demonstrates how pyrotechnic knowledge gradually entered Sanskrit technical literature, Marathi poetry, royal ceremonies, weddings and religious festivals. Habib’s work places these developments within the broader history of technological change in medieval India and reminds us that different routes of transmission, including maritime connections with China, must also be considered.
The contribution of Muslims to the introduction and development of pyrotechny in India was therefore substantial, but it was neither exclusive nor confined to warfare. The Delhi Sultanate provided an early setting for the employment of pyrotechnic devices, while Muslim military specialists and artisans helped transmit and adapt technical knowledge acquired through wider Asian contacts. The courts of the Sultans and Mughals provided patronage that encouraged the manufacture and use of gunpowder weapons and fireworks.
At the same time, the evidence from Vijayanagara, Odisha, Gujarat and Maharashtra demonstrates that the technology was adopted and developed by different communities. Once introduced, it crossed religious and political boundaries, acquiring new applications in courtly entertainment, weddings and festivals. The craftsmen who manufactured fireworks belonged to a world in which practical knowledge could circulate independently of the religious identities of rulers and patrons.
The history of pyrotechny thus offers a useful corrective to attempts to explain technological developments through narrowly religious or national narratives. The Chinese discovery of gunpowder provided the essential foundation. Mongol and Islamic networks facilitated its transmission across Asia, while Indian rulers, military specialists and artisans contributed to its subsequent development. The technology was repeatedly adapted to different circumstances, acquiring meanings that its earliest inventors could scarcely have imagined.
What began as experiments with combustible substances in China eventually reached the courts and battlefields of medieval India and became a familiar element of the country’s festive culture. The history of pyrotechny is therefore not simply a story of invention or technological diffusion. It illustrates the wider process through which societies exchange knowledge, adapt techniques and incorporate new practices into their own traditions. In that sense, the role of Muslims in its transmission to India forms an important chapter in a much larger history of cultural interaction and shared technological achievement.
Select Bibliography
Primary Sources
Abu’l Fazl, Ā’īn-i Akbarī, Persian text and English translation by H. Blochmann and H. S. Jarrett.
Abd al-Razzaq Samarqandi, Maṭlaʿ al-Saʿdayn wa-Majmaʿ al-Baḥrayn, Persian text, various editions.
Amir Khusrau, poems composed during the reign of Jalaluddin Firuz Khalji.
Babur, Bāburnāma, translated by Annette Susannah Beveridge, London, 1922.
Barbosa, Duarte, The Book of Duarte Barbosa, translated by Mansel Longworth Dames, London: Hakluyt Society, 1918–1921.
Shams-i Siraj Afif, Tārīkh-i Fīrūz Shāhī, Persian text, various editions.
Secondary Works
Gode, P. K., The History of Fireworks in India between A.D. 1400 and 1900. Bangalore: Indian Institute of Culture, 1953.
Gode, P. K., Studies in Indian Cultural History, vol. II. Poona: Professor P. K. Gode Collected Works Publication Committee, 1960. Particularly relevant are his essays on the use of guns and gunpowder, the manufacture of firearms and the history of fireworks in India.
Habib, Irfan, Medieval Indian Technology. Aligarh: Aligarh Historians Society, 2008.
Khan, Iqtidar Alam, ‘Origin and Development of Gunpowder Technology in India: A.D. 1250–1500’. Indian Historical Review, vol. 4 (1977–78).
Khan, Iqtidar Alam, ‘The Coming of Gunpowder to the Islamic World and North India: Spotlight on the Role of the Mongols’. Journal of Asian History, vol. 30 (1996).
Khan, Iqtidar Alam, Gunpowder and Firearms: Warfare in Medieval India. New Delhi: Oxford University Press, 2004.
Needham, Joseph, et al., Science and Civilisation in China, vol. 5, part 7, Military Technology: The Gunpowder Epic. Cambridge: Cambridge University Press, 1986.
Partington, J. R., A History of Greek Fire and Gunpowder. Cambridge: W. Heffer & Sons, 1960.





